Showing posts with label #rhizo14. Show all posts
Showing posts with label #rhizo14. Show all posts

Friday, 2 January 2015

Develop a digital me

I have not posted in a while (mainly cos in order to more easily link my blog to the #ccourses blog roll and RSS Feed I had to dedicate Last Refuge to Connected Courses  [http://connectedcourses.net/thecourse/]…and then I lost my Broadband for seven weeks… oh – you know how it goes!!) – but hey it’s a new year – so let’s start over…



Develop a digital me
In January 2013 I enrolled on Edinburgh’s #edcmooc and my life changed. I had long been a sceptic in terms of Government and Institutional e-learning POLICY (see if you wish Burns, Sinfield & Holley (2009) ‘A journey into silence: a textual analysis of the government’s “Harnessing Technology” document – exploring the relationship between policy, pedagogy and the student experience’ in: Social Responsibility Journal Vol 5 No 4 2009 pp 566-574). It’s not just that I found the policy document itself reductionist in the extreme (though it was!) – I found that the way it appeared to be militated and implemented within institutions wrung out all the joy and potential of that which technology could bring: Hey – this time students really could produce their own multi-modal messages – they could harness a form that facilitated a multiplicity of ways to understand – to communicate – to be creative – to think – to explore… It could be so much more than that which is squeezed into a VLE or an MLE. It is so much more than surveillance and analytics… or it could be.

But, typically, it appeared that staff were not given the space and time to play with the new technology – they were definitely not brought into collegiate groups to have the space and time to play together – to explore and experiment – to build and break – to make mistakes and learn from them.

Instead the experiences I heard from discipline staff across the HE spectrum was that they were under-resourced in time and technology – and continually told that they were not good enough – they were failing – they were not *e*-enough - they had not done enough… they were bad!

Now whilst this might have been interesting in terms of discipline academics experiencing for themselves what University felt like for many of their students (especially what are deemed non-traditional students) – it did not feel like a great way to develop an approach to ‘blended learning’ that would nurture their or their students’ positive development. And it definitely did not feel like joyful learning.

So – I did #edcmooc and it was brilliant. It was collegiate – there was play – there was fun – there was trial and error (oh you should have seen my first digital artefact!! So bad!!) … and then there were some great #artmoocs – and then #rhizo14 – and #ccourses… and I have tried to bring some of that back for my students – to see if the passion and the play could happen in our classrooms as well.

Initially we got our students ‘blogging to learn’ – as we did in #edcmooc and beyond. And they blogged – and they were funny and human – and occasionally outraged and human – and they narrated themselves – all of themselves – as they became academic – and they found their voices – and their essays were great – because they had something to say – and they knew we wanted them to say it… (and - whisper it – not a plagiarised word in sight!).

Then this year we launched ‘Develop a Digital Me’ – and booked the students into an ICT suite for one-hour per week for ten weeks – and with their Peer Mentors. The first weeks were designed to help them set up their blogs… and then the hope was that something creative and digital and personal would emerge – with a Poster Exhibition and demonstrations set for week 12 – the last week of term.

There was some confusion and self-doubt – but we seeded their thinking with some #edcmooc artefacts and Terry Elliot’s zeega on learning – and then left them to it (see https://becomingeducational.wordpress.com/ ) – and boy were we impressed with the results! Our friend Chris O’Reilly came along for the session – and he liked it so much he went and built a website for us – and he captured some pix of the day – and pix of the Posters – and we are trying to get all the Digital things there too – do have a look and tell me what you think!



Saturday, 18 October 2014

#ccourses - Leveraging our ‘why’ – reaching out to the #ccourses community

#ccourses has suggested that we ‘leverage our why’ – and Jonathan Worth said we ask others to help with the HOW.

So - HOW?!
We are lecturers in an institution that reaches out into our local communities. Our students are often described as ‘fish out of water’ (Bourdieu and Wacquant 1992),  swimming in educational currents composed of regimes of inspection and the over-riding narratives of assessment, SATs, League Tables, OFSTED, moral panics about plagiarism – and the ‘dumbing down’ of education:
There are Mickey Mouse students for whom Mickey Mouse degrees are quite appropriate (Starkey in Brockes ‘Taking the mick’ The Guardian, [online] 15 January 2003).
They are re-territorialising tricky academic space (Deleuze & Guattari1987/2005) – and do not get an easy ride. More than ever they need to experience connection – engagement – inspiration – creativity and joy…



We’re sustained by our communities (of Practice, of Inquiry, of Engagement): ALDinHE, (#loveld, #studychat) - and #edcmooc, #rhizo14, #ccourses … BUT we know that many staff in HE generally are feeling pretty battered and bruised right now. As with the students, they, too, experience regimes of control and surveillance: targets and strategies; Performance Review; Academic Work Allocation Model. Every hour is mapped and measured and there is no time to ‘be with’ students. Overworked and under-valued, they do not feel trusted – they may not feel trust. How can we celebrate and sustain creative emancipatory practices …in this cold HE climate (Sinfield, Burns and Holley 2003)?

So we are experimenting with Take 5:

Take5 includes some tips on:
Role playing and simulations
Creative and visual learning strategies – using:
Drawing, collage, performance, poetry, prose
Object and Inquiry-based learning
Project Based Learning
Real research projects – from the first year
Academic & empowering literacies – with a positive twist!
Using the MOOCs - #edcmooc, #ccourses, #ds106, #rhizo14
Resource and artefact production.

At the moment we are planning to write fortnightly blog posts speaking of things that we have done in our classrooms and our MOOCs – in the hope of seeding conversations and re-engaging people in their own love of teaching and learning.

What do you think?

What should we do next?
Who wants to join in?

Friday, 3 October 2014

#ccourses Why we need a why

I just loved the discussion between Mike Wesch, Randy Best and Cathy Davidson on ‘The end (purpose) of HE’ – launched by a share of their best teaching experiences.
For Randy it was working with architecture students in a Studio mode. The students came to work not to listen – and the Crits provided authentic contexts and audience for the work in progress – and the students were fearless about revision – prepared to go and cut 90% of work-in-progress and to improve and produce their best work.
For Mike it was the time he and his Anthropology Class moved into a Retirement Community and lived and breathed meaningful ‘anthropology in action’, where: ‘something special happened’.
For Cathy it was returning to a 21st Century Literacies Class to find that the students had torn up the Learning Contracts – because they wanted to do more. That year they produced a de facto textbook on the course – the following year they generated a MOOC…
This sense of engagement – of excitement – of authenticity – of wanting to go further – work harder… definitely seems at the heart of great teaching and learning.
Check out: http://connectedcourses.net/thecourse/why-we-need-a-why/ for great video discussion – and this topic’s questions:
So what is the real “why” of your course? Why should students take it? How will they be changed by it? What is your discipline’s real “why”? Why does it matter that students take __________ courses or become _________ists? How can digital and networked technologies effectively support the real why of your course?
Write down your real why, share it in the make bank, and frame it in a blog post that explains your story and inspiration. These can be in the form of student learning objectives, but do not feel constrained by whether your objectives are measurable, realistic, or reasonable. Explore your own depths to find reasons you did not even realize were there — or reasons you have never been able to put into words. And, if you can’t quite put your reasons into words, share a story or picture that somehow conveys your otherwise inexpressible thoughts.
Why we need a why – my why
Loved learning – hated school! Hated the power and the lack of power – hated the never knowing WHY – felt fearful, trapped and constrained – and thought: this cannot be all there is!

Had wonderful experiences at Tottenham Tech and the Polytechnic of North London – and thought, THAT’S more like it!
This seems to have lured me into becoming an educationalist and a learning developer.
I want to enable spaces for students to learn, laugh, think, speak, discover, have fun, experience joy, get connected, be with each other and be with their subject.
Recently was gifted the opportunity with my partner, Tom, to develop and deliver a 30-week module, Becoming an Educationalist (http://becomingeducational.wordpress.com/2014/10/03/becomingeducational-1/), and suddenly we had the time and space to create a course with the time and space to explore the potential and joys of learning and teaching… drawing in all the ideas from our experiences, philosophies, politics, lived life – and MOOCs (#edcmooc, #artmooc, #artinquiry, #rhizo14 – and now #ccourses).
We hope that the students will be intrigued, excited, stimulated, engaged… We hope that they will work hard because somehow when you want it and you’re engaged, it’s not ‘work’.
We want to sing and dance and laugh and fly… Wish us ‘bon voyage’!

Friday, 12 September 2014

Tinkering to Learn #ccourses14

Boom! Another academic year – another load of too much to do and too little time – Soooooo... started another course – #ccourses14! (I have the feeling that *course* is an oxymoron in this context – but that is a good thing!) and for the next few weeks the focus of this blog will be co-learning and the co-creation of knowledge in a connected world.



‘Dear Reader’ alert!
Dear Reader,
If you are completely new to online courses and blogging to learn – don’t be put off by not knowing anyone else on the course yet. It is very easy to make friends in these spaces. The trick is to *like*, *Comment*, *re-tweet* and *favourite* the messages that people start to post on and about the course. This is the way that we touch base with each other and build connections, trust and dialogue. The knowledge emerges and develops through these very connections.

I am lucky because many people that I’ve seen on other happy courses (you know who you are #edcmooc and #rhizo14!!) are here – as are people that I have spotted on the almost mythical #ds106. I am looking forward to co-learning with these peeps.

The course proper starts next week, Monday 15th September. If you are still in the process of joining – here’s the link to the one-hour video on the blogging part of this connected courses thing: http://connectedcourses.net/thecourse/pre-course/

To RSS Feed

My big first task is to try to connect this blog to the course list – with the appropriate RSS feed. I have never managed that before! I listened to the instructions on adding the RSS feed – and decided immediately to do the simple link this first time, that is, I will *only* cover #ccourses14 in this blog cos if you cover the course in a multi-topic blog the instructions were WAY too complicated for me!

Wednesday, 23 April 2014

ALDinHE Conference 2014: Learning Development spaces and places

Spaces and Places
This year’s ALDinHE Conference took place in – and was facilitated by Huddersfield University: http://www.aldinhe.ac.uk/news/6/aldinhe_conference_2014:_registration_closed.html?p=7_6
There was a full programme of workshops, events and fabulous Key Note speakers, including Lesley Gourlay and Etienne Wenger-Trayner – on the topics of:
  • Who owns Learning Development?
  • Changing Staff and Student Identities: the impact of Learning Development
  • Addressing the Marginalisation of Learning Development
  • Working Collaboratively to support Learning Development.

Communities of Practice?
Like many people in Education I have been aware of Etienne Wenger-Trayner (EWT) and his Communities of Practice arguments in theory and for many years. EWT in practice and in person was a revelation: warm, inspiring and profound in his outlining of the learning trajectory which takes us from peripheral encounters into the centre of various communities of practice – and various learning identities.

EWT locates his theory in studies of apprenticeship practice. Apprentices especially at the beginning rarely interact directly with a ‘master’ but engage more in apprentice-to-apprentice interactions. In this way learning is ineffably located in the group and in our group interactions: learning is social, embodied and whole person.

For EWT, learning experience models this apprenticeship trajectory. He described ‘learning’ as circled by complementary processes involving community (which offers belonging and a meaningful cadre with which to negotiate and define competence); practice (what we do – and how meaningful and valuable it is); meaning (that is rooted with relevance in the now – and not deferred to some indefinable point in the future); and identity (who we are becoming). In this model learning is not the transmission of a corpus of knowledge nor even a process or set of processes with which to engage with a corpus of knowledge; learning is how we negotiate a range of processes of becoming – that oscillate between the individual and the group.

Becoming
The EWT model allows us to see learning as becoming: it involves a realignment of competence and experience; it is socially defined – but personally experienced. Learning involves negotiating identity in a complex dance in complex landscapes of practice that navigate multiple tensions and meaning.  It is identity-construction in a time of super-complexity: it is a learning relationship between the social world and the personal.

The community is the curriculum
As one who is still part of the ongoing MOOC: #rhizo14: the community is the curriculum, I could not help but see parallels between the EWT model and the rhizomatic model of learning espoused by Dave Cormier – and as poetically described by Deleuze and Guattari (1997, 2005) in A thousand plateaus. Cormier - who spoke at last year’s ALDinHE in Plymouth - gave birth to our radical un-MOOC. In #rhizo14, learning is/emerges from the connections, contingent or purposeful, between the participants in the different learning spaces we inhabit – Forum, FaceBook, Google+, Twitter, Blogs, Zeega… - and which are fruitfully complicated by the diversity and complexity and internationality of the participants. It is a tricky trickster idea – but actually very helpful when we take back to our classrooms whether F2F or virtual: for to enable learning to happen we must at the very least foster human relationships between the participants.

‘I Robot’? Voices from the margins: narratives of LD in a Digital Age
Following on from EWT, and after Julia Dawson and Peter Bray speaking on ‘Peer Support reaching out beyond the institution’, from Plymouth, it was our presentation where we asked: What are the stories that students and staff tell themselves and each other about studying at University?

‘We have developed creative blended learning practice and embedded this within our Becoming an Educationalist and its paired Peer Mentoring in Practice modules. We and our students write reflective learning logs and online blogs to engage with our materials - to write to learn - and to struggle with narratives of the self in times of transition… We wish to share narrative extracts from these places of struggle, voice and play (Winnicott 1971) and discuss the lessons that we can learn about our students and our own blended practice. We also want to explore how we can celebrate and sustain such creative practices.’

How cool is that?
We were very happy to follow on from Wenger and his arguments about learning as a process of becoming – and to talk about our Becoming module and its various practices which we think facilitate these processes: Role playing and simulations; creative and visual learning strategies; Inquiry Based and Problem Based Learning; Reflective learning; Visual practices development; Poetry and Prose analysis and discussion; Analysis of Case Studies; Real research and other projects; Digital artefact and resource development; Peer-to-peer learning: both face-to-face and virtual; Student contribution to the University’s annual student-facing Get Ahead conference; Blogging and other Social Network activities to support learning (Becoming Educational blog: http://becomingeducational.wordpress.com/ and
Learning Development Blog: http://lastrefugelmu.blogspot.co.uk/).

Spaces and places/fissures and cracks
Our students swim in educational currents composed of the over-riding narratives of assessment, SATs, League Tables, OFSTED, moral panics about plagiarism – and the ‘dumbing down’ of education – for which they are personally blamed: There are Mickey Mouse students for whom Mickey Mouse degrees are quite appropriate (Starkey 2002/3). They are caught on a cultural cusp (Medhurst in Munt) negotiating tricky academic space which is more of a trickster space for them – for just how far are they supposed to lose themselves and become another in this alien landscape; and who gets to choose the transformation – and where do the boundaries lie?

Why writing? The essay – The blog
Arguably the academic essay as a genre exemplifies academic writing per se: it is non-polemical - yet invites certainty of argumentation. It is ‘your’ argument whilst excluding ‘you’: the personal, the emphatic, the confused, the flippant and the humorous. In many ways it can be seen as a metonym for the academic world our students have entered: implacable, reified, classed. It is the space where they most feel like ‘a fish out of water’.

We want our students to succeed in academic writing for it is the sine qua non (http://en.wikipedia.org/wiki/Sine_qua_non) of the University experience. But we wanted writing that was not the ultimate erasure of the self. We wanted a space where students could have something to say, could have their struggle to achieve authorship; but without the ‘jostling voices’ (Carter et al. 2009) asking them to ‘write and reference properly’ and to ‘be more academic’ – and less like the passionate, engaged and committed whole people that they are. We suggested blogging and wanted their blogs to be a powerful virtual tool – a quasi-academic, multimodal, public space in which to perform the self as it becomes academic – and to perform that more wholly than in an academic essay.

A little bit of Deleuze will do ya
Blogs especially can constitute the cracks – the boundaries – the borders - the space for disruption, irruptions and eruptions: the place of collision and encounter. Those representations become where space and time collapse – compressed – intensified – because finite – become finite – existing in a fixed place and time. Their composition emerges from a compressed space, time and setting: meaning and communication become one narrative. And as Deleuze might argue this offers an opportunity not to re-trace the compilation of the sign – but a moment – just before it becomes fixed – when all the potential and possibilities still exist. A moment of and for transformation – for recognition of the self… A crack in space and time to re-territorialise educational spaces – to become educational nomads.

And our student voices said:
‘Week 9 was all about my nightmare….drawing!
My drawings always mock me:
“Ha! I have defeated you! You may have many words, but give you a pencil, and watch the intelligence disappear! That’s not how you wanted it to look, is it? Is that a person or a tree? Dumbo!’’
In a class of five year old children, I am quite happy to display my ridiculous sketches. I explain to the children that drawing is not my strong point, and they assure me that I have done a very good job of representing the characters, props and scenery in the storyboard. However, if someone were to come in, they would be quite convinced that the children had drawn the pictures – and not the most artistically gifted children, either!
At the moment, I feel afraid of failure, but I have to remember that I have been here before. In 2011, I graduated with merit at the Barbican, from a Foundation Degree in Education: Primary Pathway. So I need to keep three things in mind:
Keep taking risks!
It will be worth all the hard work!
There are people to help me on my journey!’
                     
‘In this week’s lecture, we were subjected to a 10 minute free writing exercise. If we stopped writing, then we were to write the reason why we did so on a separate piece of paper. Seemed easy enough, but the question given was very ambiguous to us: Winnicott (1971) argued that play is necessary to           counteract the implicit threat of transitional...
“What?” I asked myself. “Who is Winnicott? What does he mean by play? Implicit threat?” I started writing, even though I had no idea what the question was asking. It took three attempts to get my writing flowing.’

‘Today has been so proactive that I hardly had the time to take down any academic notes and just kept on listening. There was a guest speaker today, Chris O’Reilly, who spoke to us about the presentation and making of a short 3 minute film and what kind of research and methods go into making and preparing for it. I was so intrigued and fascinated throughout the whole piece that it just had given me so many ideas. I was bursting to how these ideas could relate to my research project Report.’ 

Nomads all!

Talking of re-territorialising: do we want a Learning Development MOOC?
And so to Andrew Doig, Becka Colley, Carol Elston, David Mathew, Sandra Sinfield and our workshop on the nuts and bolts and why and ‘what fors’ of a Learning Development MOOC. The session had a great energy and buzz - and we are hopeful that a positive working group will emerge from those present – and from others in the LDHEN if they want to join in.

cMOOC, xMOOC, SPOOC – OOD??
There seemed to be two main approaches to our potential open online course emerging:
* Set the context: Where a group of us gather together to design and devise a course with quite formal and defined Aims and Outcomes. Different elements of the course might be 'owned', developed and delivered online by different people.

* What might be called the 'bring your own context' approach: a group gathers together and sets up a course that may or may not have formal aims and learning outcomes - but that can be experienced differently by participants depending on their own contexts, wants and needs. In this model, some participants may want to explore the philosophy, pedagogy and epistemology surrounding elements of the course - whilst others may just want a 'pick up and teach’ set of strategies...  Different elements might be delivered online by different people, with participants bringing as much to the table as the person 'running' the course that week/fortnight/month. I think that this community can manage that! 

To me this latter more of a #rhizo14: the community is the curriculum approach; and in actual fact, I do not think that these two approaches are incompatible if framed in a participative way.

Watch the www.jiscmail.ac.uk/ldhen list for developments - and if people are interested in taking part – could they email Andrew Doig: Andrew.Doig@solent.ac.uk ?


End Notes: There was more, so much more to ALDinHE – but I reckon that this is enough for a blogpost. So if anybody else has blogged – can you put the link in the Comments below – and perhaps we can have a conversation of sorts to keep the LD flag flying?

Friday, 28 March 2014

W10: #rhizo14: Disrupting learning: Creativity in arid landscapes

Creativity and the art of thriving in arid environments (Mar 22 - 30)
And the Trickster spake: After a couple of days required for a creative break, here it is Week 10! In thinking about the topic that I would propose for Rhizo14, the mental image that came up was a desert, and Dave Cormier's evil Japanese plant that grows like crazy. Of course, I wasn't quite sure what to make of this mental image, until I asked the all powerful crowds in the facebook group and it seemed to be that creativity was a topic that many people wanted to tackle. So here we go, Creativity: The Art of Thriving in Arid Environments.
This topic is wide open, it can be about your own personal creativity in education, it can include face to face and online, it can be about any subject - not just art. For instance, how does one creatively move through obstacles in their own organization in order to improve that organization? How do students stay within confining rubrics yes exert their own creativity in their assignments? How do you, as a designer or instructor, act creatively to meet those institutionally mandated goals and objectives for you course while giving your learners something they can sink their teeth into and be engaged through creativity in their learning endeavors?
To bring this to the MOOC realm, xMOOC platforms seem like dry and arid places, all of the creativity has been seemingly sucked from these platforms in favor of video based education. How do you break those system? use them creatively to create engaging xMOOCs? Will they still be xMOOCs if you do something creative with them?
How do YOU see creativity, and how would you respond to a criticism of creativity?


Hey you – don’t touch that – touch this!
We are learning developers (LD) and educationalists teaching mostly F2F – so here’s a response from that perspective rather than from a MOOC one. A big aspect of LD work is to help especially ‘non-traditional’ (NT) students become familiar with and powerful within the exclusionary practices of HE. If we were being Deleuzian (1987, 2005) but critical – we might argue that we were re-territorialising that student to enable them to participate successfully in HE (see arguments about skills – socialization – academic literacies, Lea & Street 1998). More hopefully our new Year-Long Becoming an Educationalist module creates spaces, fissures and cracks for students not traditionally welcome in the academy – spaces for them to re-territorialise as educational nomads.

We wanted our course to both empower students and to critique the reductive nature of education per se. Our fish swim in educational currents composed of the over-riding narratives of assessment, SATs, League Tables, OFSTED and other inspection regimes, moral panics about plagiarism – and the ‘dumbing down’ of education (viz. that great Starkey quote on our University: there are Mickey Mouse students for whom Mickey Mouse degrees are quite appropriate). It is an education system moulded by neo-liberalism and, in the UK, the sense that the market will solve all our problems.

Our module was designed to empower in and of itself – and to act as a tool or lens to critique reductionist education and reductionist curricula. The module includes some direct didactic teaching alongside active and engaging learning: Role playing and simulations; Creative and visual learning strategies, see http://learning.londonmet.ac.uk/epacks/look_make_learn/; Inquiry Based and Problem Based Learning; Reflective learning; Drawing, Poetry and Prose analysis and discussion; Analysis of Educational Policy documents; Research projects; Resource/artefact production; #ds106 and development of a digital self; Peer Mentoring; Contribution  to the University’s annual student-facing Get Ahead conference http://learning.londonmet.ac.uk/epacks/get_ahead_conf/

Students are expected to talk, listen, discuss and be with (Jean Luc Nancy) each other; they are expected to attend Music improvisation and Dance workshops – and to design and present their own interactive workshops. They are expected to make notes, read actively and interactively and share their findings – and also to produce collages, blind drawings, conference presentations, real research and digital artefacts. We hope that they join in with energy and enthusiasm to all the different things that they are asked to do – and then to make the learning conscious… especially in their blogs.

Narratives of the self: a space for real writing
There is much research, both anecdotal and more formal, on the fear that academic writing holds for students. In a study at our own University Burn, Burns and Sinfield (2004) found that even successful PG students said:
‘I’m still not sure if my writing is academic. I still don’t know what makes one essay better than another.’
‘I’ve been humiliated in ways that I wouldn’t have put up with anywhere else.’
Arguably the academic essay as a genre exemplifies academic writing per se: non-polemical in form yet inviting certainty of argumentation whilst excluding the personal, the emphatic, the confused, the flippant and the humorous. But these traits can all be valued parts of the individual – needed especially when coping with the implicit threats inherent in transition (Winnicott 1971) into formal academic spaces that traditionally exclude people from certain social, economic and cultural backgrounds. It could therefore be said that writing in the academy acts as a metonym for the academic: implacable, reified, classed. It is the space where our students most feel like ‘a fish out of water’. They are, as with Bowstead’s (2011) student, ‘coming to writing’ passionate, opinionated and eloquent verbally; but ‘we can’t speak as we write’, especially not in an academic environment. This boundary-crossing module is designed to help students enter not only the academic world per se, but also that most tricky academic form - academic writing - including by the quasi-academic writing of the reflective learning log or blog.

Can you blog it?
We presented the reflective log and the Blog in particular to the students as quasi-academic and semi-public space. We wanted to invite ownership: this writing matters – because you have something to say. It is a space to perform one’s self as it becomes academic – and to perform that more wholly than in an academic essay. In both log and Blog you can be playful (Winnicott 1971) – and it is play we need to tackle the threat implicit in transitional spaces – those becoming spaces (Deleuze 1987, 2005) – and it is in play that we are wholly fiercely alive – and fiercely ourselves. We, as with Bowstead (2011) note that in our students all the passion – all that energy – all their power is deemed invalid in the academic essay: it becomes transgressive in and of itself. We hoped that the logs and the Blogs allowed the passion and the play – and that our students would utilize these lines of flight (Deleuze 1987, 2005) to narrate a more powerful self.

Lines of escape/Lines of flight
In stark contrast to the formality of the academic essay, narratives and more personal writing, and multimodal Blogs especially, can constitute the cracks – the boundaries – the borders - the space for disruption, irruptions and eruptions: the place of collision and encounter. Those representations become where space and time collapse – compressed – intensified – because finite – become finite – existing in a fixed placed and time. Their composition emerges from a compressed space, time and setting: meaning and communication become one narrative. And (as Deleuze might argue) this offers an opportunity not to re-trace the compilation of the sign – but a moment – just before it becomes fixed – when all the potential and possibilities still exist. A moment of and for transformation – for recognition of the self … A crack in space and time to re-territorialise educational spaces – to become educational nomads (or as we say in #rhizo14, Knowmads).

Check out Mo’s blog on that A-Maze-ing thing: http://moa1484.wordpress.com/2014/01/28/a-maze-ing/

References (in progress)
Bourdieu
Bowstead, H., 2011. Coming to writing. Journal of Learning Development in Higher Education, [online] Available at:
Brande, D., 1981/1934. Becoming a writer. Los Angeles: J. P. Tarcher.
Burn, Burns and Sinfield (2004) ‘Writing Resistance’ in Discourse Power Resistance Conference, Plymouth University 2004
Burns, T. & Sinfield, S., 2012. Essential study skills: The complete guide to success at university. 3rd ed. London: Sage.
Deleuze G and Guattari F (1987, 2005) A Thousand Plateaus: Capitalism and Schizophrenia Minneapolis, London: University of Minnesota Press
Elbow, P., 1975. Writing without teachers. New York: Oxford University Press.
Herrmann, N., 1989. The creative brain. Lake Lure, NC: Brain Books.
Freire – mentoring
Freire and/or Giroux – emancipatory education
Kossak, S., 2011. Reaching in, reaching out: Reflections on reciprocal mentoring. Bloomington, IN: Balboa Press.
Lea and Street (1998)
Nancy J-L DATE
#rhizo14 (2014) MOOC: The Community is the Curriculum (Dave Cormier via P2PU https://p2pu.org/en/courses/882/content/3154/ )
Sinfield, Burns and Holley (2003)

Winnicott, D., W., 1971. Playing and reality. London: Tavistock.

Saturday, 15 March 2014

#LiveArtHistory W3: Character: Performing the self; reading performance


Character.
Portrait, photomontage, studio, daguerreotype, self-portrait, caricature, comic book.
Heroes.
Who?
Creates the image
Selects the context
Shapes the meaning
Gazes
Is subjected to the gaze.
By the gaze.
Essential science:
Darwin.
Innate characteristics.
Created by genes
Revealed in physiognomy.
Some are.
Some get to be.
We are text/context. 
Ask the slave.
Daguerreotyped.
Subjected
Typecast
Narrated
Someone else’s story
Essential
Lowly
Difference.
Subjugated.
(And so it goes.)
Studioed.
Bourgeois
Enacting.
Difference.
Improvised.
Multipleselves.
Some *are*.
Some have the power to *become*.
The camera lies
Photomontaged
The Paris Commune
Women
A-flame
Legs sprawling
Animal.
Petrolleur.
Depression.
The.
Showing – commenting – narrating…
Art
That slippery slope of meaning-making …
Carrie Mae Weems
Re-claimed (those slaves)
With blood and fire.

Homework: two weeks - to follow!
This week's:
 Optional Sketchbook Assignment 2 Follow Up
Regardless if you did last week’s sketchbook assignment or not, or you are just joining us, I encourage you to try this out. For our second critique we are building on the prompt given in the first:
Visit the Sketchbook Assignment 2: Mental Map forum and choose an assignment. Try to spread your attention between assignments that have already received a lot of feedback and ones that haven’t. Prioritize finding an undiscovered gem or two.
Look at the student’s submission. Don’t respond immediately. Give yourself at least a few minutes to really look or study what the student has submitted. 
In your reply, describe, in words, exactly what you are seeing or reading in the student’s assignment.
Then, select two of the following and add it to your comment: What is one thing about the submission that immediately caught your attention? What is one thing about the submission that took you a little longer to discover? What are three questions you would ask this student about their submission? How does the medium/format that the student has chosen (drawing, descriptive text, photography, collage, etc. etc.) affect how you understand the meaning of the submission?
Repeat for another assignment. Try to comment on at least three assignments this round.

Optional Sketchbook Assignment 3: Characters Drawn from Life (and Death)
For this week’s sketchbook assignment we are offering two options: one for Track A learners (more visual-based), and one for Track B learners (a written response). Do one or the other, or both! Please note there is a separate forum for each track. 
Track A 
Look in a local newspaper or online source for death or marriage notices. Find one that is interesting to you but don’t choose one that includes a photograph.
Make a portrait of a person described in the notice (deceased man or woman, bride or groom). Use any means and style that you like--drawing, painting, photography, collage. Think about how much of the person you want to show, how s/he is posed or framed, how much context is given through background, accessories, etc. Whatever you choose to include in the portrait should say something about the character you have chosen to depict.
Important: In respect of others' privacy, do not include any names from notices, or link to them, or use images without permission.
In this forum ("Characters Drawn from Life (and Death) TRACK A"), start a new thread and post a scan of your image. Give your post a title, and submit!
Track B 
Find a public place. Sit down and make yourself comfortable. You might be here for a while.
Watch the people.
Choose one person and invent a life for them. Think about who might be in terms of occupation, relationships with family and friends, pets or lack of them, personal possessions or lack of them, personality quirk


Friday, 7 March 2014

#rhizo14 – De-schooling to Get Ahead

I have a couple THANKS to offer this week – one is to all those that have buoyed me up during #rhizo14 – and the other is to the student team who devised and delivered this year’s student-facing Get Ahead Conference. They are my answer to this week’s ‘what next’ question: we need a re-schooling rhizome and creative learning space!!

W8: Demobbing Soldiers (Mar 4-?)

“the great humanistic and historical task of the oppressed [is] to liberate themselves and their oppressors as well.” Paulo Freire via Maha Bali
Question: "How can we take people who've spent their whole lives believing that [BLAH] is 'learning' and MAKE them … [plan towards their obsolescence] ? (Remix of Dave's thoughts from week 2 and week 6.)
Demobbing soldier
W8 Challenge: Help us think more clearly (big challenge!). Do we demob soldiers? Do we de/re-school soldiers? Do we mob soldiers? Who needs soldiers? Who is we?
And Sandra says, Thank you to all of you whose blogs, poems, songs, voices and stories have made this such a special special rhizome. Many of you are in the auto-ethnography project – https://docs.google.com/document/d/1mSrZFBt1cYjDSAaFc6Et-BAZ95oEEBMi-AvAX8Fz8Qs/edit - and you are in my mind and in my heart. 
My small rhizome…
… and one possible answer to this week’s question: keep fighting for creative learning spaces for students. Our non-traditional students especially need physical real world and real time spaces to be with each other to feel their power – to gain their voice – to SING! And that is where our Get Ahead conference comes in.
Get Ahead
Get Ahead is our conference by students for students. Ostensibly an event that promotes study and employability success – it becomes a student generated space where students have permission to be with their University and each other: to experience university as a place of opportunity, energy and excitement.
We sponsor one annually – and each year we recruit a team of students to design the day – to get students to present - to drum up interest – to run the day itself. It is hard work for a small team whose other academic work goes on regardless and relentlessly – and who may also have paid employment and families to support.
So THANKS to the Get Ahead Team! They were fearless in their attempts to drum up interest in the Conference – talking their way into lectures - talking about Get Ahead and talking people into the Conference. It was a buzzy, exciting and engaging event – and they were amazing: http://learning.londonmet.ac.uk/epacks/get_ahead_conf/
Where next - and how: Staff Buy-in to student as agent
For this student initiative to work, we need Lecturers to sign up to the Get Ahead idea and help to engage their students with the Conference.
One of the Education Studies tutors worked with a Team of Education Studies students – including a couple of our first year #becomingeducational students - to produce a session for other students. They chose ‘Networking’ and spread the rhizome! The Get Ahead Conference and that session were flagged up in Education Studies Team meetings - and those staff recommended the Conference as an Enhancement Week event. Our own 'Becoming an Educationalist'  students had Get Ahead as their Enhancement Week activity - they knew about it – we made time for it - and they attended with a sense of excitement and expectation.
Initiating big ideas like 'student as partner', 'student as producer', 'student as change agent', ‘student as rhizome’... takes investment of mind, body and timetable. We think that it is worth this time and effort...
But how?
One thing this year's Team suggested is that they build on what they have learned this year - and run next year's Conference. They have also suggested that the Conference is 'built up to' from the very beginning of the year - this way staff can write it into module handbooks - and the students can run pre-conference events - with *staff* and students.
The pragmatics
We would love it if staff substituted engagement with the Conference for one small piece of course work; we can offer a menu of possible 'buy-ins': students from one Module could put on a poster exhibition - perhaps students from Work Placement can present about that - perhaps Computing students could run something ICT - Maths students could run a Quants session...  Events Management students might still run the Conference - and if so - Events Management staff would ensure that attending the conference was either a module requirement or an enhancement Week activity for *ALL* Events Management students...
We could go International?
As a second year literature student our Tom ran the first ever International Dario Fo Festival. This event was a mix of academic symposium and Theatrical workshop and performance. Alongside an International Fo Symposium, to which students were also invited, there were theatre workshops for students and people from the local community... And there were big theatrical performances as well – including Fo’s ‘The bosses funeral’ (!!).
This mix of the academic and the theatrical or the more fun elements seems a great model - we can help students do better with their studies and with their job applications - but we also provide opportunities for some of the cultural and play events that the University also offers.
De-schooling society

If students are to embrace different concepts of learning – and the what – where – why and how of it – staff have to buy in to that as well. Or… ‘that’s all folks!’