Showing posts with label Multimodal. Show all posts
Showing posts with label Multimodal. Show all posts

Friday, 19 February 2016

MAF#1: Introduction to Managing the Assessment and Feedback process



Welcome to the MAF blog – and to MAF itself. We look forward to exploring assessment and feedback with you…
This module asks you to investigate the theory and practice of Assessment and Feedback – and to relate that to your own practice. It is intended to help staff develop their current practice in ways that are helpful to them and to their students and to make assessment part of the learning dialogue: wrestling with assessment of, for and as learning. Each week there will be some preliminary reading and/or viewing to do before the class – which will be explored practically and dialogically in the session itself. This opportunity to work with others across the disciplines is what people value most about the course itself – and we can see already that this is a lively group with much to offer (see also arguments for a ‘flipped’ approach: https://net.educause.edu/ir/library/pdf/eli7081.pdf).
Assignments
Group presentation (40%): explore an aspect of assessment that intrigues you and produce a multimodal presentation or resource (5mins) that presents an issue, argument and/or ‘case’ to the class – with short critical commentary.
Individual project (60%): develop a sustained argument about a specific aspect of assessment related to your own context and perhaps extending an issue that arose in exploring the group project. Typically presented as a formal essay, we are open to creative interpretations of that genre.
Tip: Re-visit the module Learning Outcomes – and the notes you made when we discussed these in class. List the ways that YOU might be able to demonstrate that you have met each of the LOs.

Bring your own context
We started with a brief free write and longer discussion on what we like about our current assessment and feedback processes, what areas of curiosity and concern we have – and what we hope to gain from the module itself.
What we like
Thoughtful and transparent assessment design was valued: where the assessment is clearly relevant to the LOs; where it is weighted and balanced well across criteria; and where students can clearly see, ‘This is what they are looking for.’
Some liked tried and tested ‘safe’ or known methods of assessment – the essay and the exam – others argued that the ‘not safe is best’ – where the outcomes of the assessment are not fixed in advance – but the participants can argue or make a good case. The analysis of a Case Study was cited here: where the students are not led to a given answer – but must interrogate a case study and come up with their own diagnosis or draw their own conclusions.
There was an argument offered for a diversity of assessment instruments across a course: presentations, short tests (including online) and course work – so that all participants would have an opportunity to showcase their learning or harness their own preferred learning strategies.
A few offered arguments for what might be called the emergent graduate identity approach (Len Holmes: http://www.graduate-employability.org.uk/) – where thought is given to the ‘skills’, capabilities and capacities required of the graduate – and the course is worked backwards from there. Examples cited were the Montessori course where participants have to produce lessons plans, group presentations and give peer feedback – and the prospective Science teacher set many small stakes assignments – that could lead, say, to the planning and leading of a trip to the science museum.
This connected with arguments around developing self-assessment and the students’ ability to evaluate their own work; possibly enhanced where the learning and teaching clearly feeds forward into the assessment – and where the students make their learning conscious: in blogs and by illustrating the session and/or their learning in some way (this paper explores blogging to learn – in the context of two LondonMet modules – available from Investigations – or this link to Academia Edu: https://www.academia.edu/9117059/Disrupting_learning_landscapes_Mentoring_engaging_becoming_in_Investigations_in_University_Teaching_and_Learning_Vol_9_Spring_2014_pp15-21).
Finally – it was argued that re-designing the assessment could provoke positive change in the learning and teaching processes.
Concerns
How do we know that a particular assessment instrument is valid and fair? And – how on earth do we know what students are ‘making’ of the feedback? Here again there was discussion of the use of assignment change to provoke positive change in pedagogic practice – and the invitation to re-investigate assessments alternative to the essay – that involve the equivalent rigour, critical engagement and endeavour.
What we want MAF to do
Overall it seems that most people want to use the module to investigate what constitutes successful assessment – defined as tasks that that help students both to learn what they need to – and that help them transition to the next level of study. A bonus would be the opportunity to explore the assessment tools in WebLearn – and to work out how to make a good case for assessment change that would convince a line manager.

TMD: Cheating: friend, foe or scapegoat
Our getting to know you activity was a Topic Mediated Dialogue (TMD) session – where we investigated teaching, learning and assessment through the lens of ‘cheating’. After paired discussions, participants had to draw a representation of their partner – and use that to introduce them to the class.
NB: TMDs can be structured around any topic with which you want to engage - we also use the same TMD prompts to get students to explore their own thoughts on ‘cheating’: https://becomingeducational.wordpress.com/2016/02/08/becomingeducational-w16-analyse-that-now-this/.

Thank you!
Thank you for an engaged and engaging first session – we have already touched on key aspects of assessment and feedback that the rest of the course will explore in ever greater depth… We are looking forward to taking this MAF journey with you.

Friday, 16 October 2015

#creativeHE – W3: the hermeneutic space


It’s the third week of the #creativeHE course: https://courses.p2pu.org/en/courses/2615/content/7323/
 – and that clever Chrissi Nerantzi has organised this as a Peer Learning week… And in practice it’s become a space in which to realise that you can join in, it’s not too late to catch up…

So this week we have been doing just that. Several colleagues from work were thinking about doing this course, so we had a F2F lunch meeting and decided that, yes, it was still possible to join in. In our sub-group we managed a small Hangout – declaring an interest in exploring the use of social media with students to help them to curate their own PD experiences… and in exploring social media in the workplace to help staff bond as a CoP across courses and Faculties. I saw that another group were going to explore creative ways of capturing lecture content - a big visual/multi-modal strand is emerging – and I’m really interested in seeing where that goes.

In our first year module this year, we are experimenting with getting our students to be much more multi-modal in their presentations – leaping beyond the Poster Presentation to a whole new level of challenge. After their first scoping of the university as a site and sites of formal and informal learning, each group has to present their findings in a different MODE – choosing the one that challenges them: Comic book; jigsaw puzzle; Pack of cards; Marvel Comic; Song; Dance; Poem; Newspaper article; Memory envelope; Cabinet of curiosity; Short story; 3D object; Pop Art; Patchwork; Something knitted or crocheted; Painting or drawing; Collage; Academic poster; Installation; Animation…
More ways students can show what they know:



On the subject of our students
The W3 effect is something to think about in our F2F teaching too perhaps – is it about this week that all our students are feeling overwhelmed, swamped… feeling that they are already too far behind to catch up?

We start our first year with a deceptive simplicity with questions, role plays, drawing, discussion... they survive a nuclear apocalypse and re-build the world.

We plan this to be creative and dialogic … and as they are wrestling in deep ways with key issues, they get to learn about each other, they form friendship groups and bond as a cohort.

We found that this third week did in practice slow down a little bit… there was time to draw, to talk, to think, to present and to listen. Hopefully this still felt productive – but also perhaps, it helped the students to think that the course and their degrees were do-able.

Get creative with us?
Our programme exists in dialogue with the blog that we write each week – and where we extend the sessions with links to key articles, useful Webinars and so forth: https://becomingeducational.wordpress.com/

If you have any suggestions about activities to use with our students – do get in touch… AND if you have suggestions as to useful blogs, webinars and other online resources that we could flag up in our class blog… please let us know about them also.

And finally – it’s only W3 in 'creativeHE - it’s been a great hermeneutic space – and it’s not too late to join in!!

Wednesday, 3 April 2013

#edcmooc & #aldcon: creative teaching, learning and assessment

For a long time we have been advocating creative approaches to teaching, learning and assessment. We have built active and creative learning strategies into our teaching – and share those with other members of staff as part of our CPD work in the University. The #edcmooc has been the final piece of the jigsaw showing how to really scaffold the production of teaching and learning resources or digital artefacts – and #aldcon was where we showcased the work.

Teaching, learning… and assessment
In practice, developing creative approaches has meant advocating the teaching of visual, key word notemaking and scaffolding reading for students in ways that foreground the active and interactive nature of reading and the ‘point’ of the task.

We teach drawing and writing as thinking and exploratory processes and encourage students to keep visually stimulating and useful learning journals. At every stage we  emphasise the ‘what, why and how’ of activities – for if people can understand these – they can decide for themselves what to do and how.

In the last few years we have been setting as an assessment the production of a teaching and learning resource as an alternative to a traditional essay – though we still offer the essay as an option for those who can express themselves well in this academic form. We like to set the artefact option for those who either do not particularly enjoy essays or who want to stretch themselves in other ways. We feel that at this moment the teaching and learning resource option allows for more creativity and originality.

The essay is a long-established academic assessment engine with a heavy load of expectations and assumptions. Whilst we know that students gain more marks when they successfully take risks – taking risks with form and style in the essay is generally a mistake! However, if we as staff can let go of some of our assumptions and expectations, we can allow students to take risks in the design of a resource – and this can stimulate their engagement and pleasure in an assignment.

The design of an artefact can involve more than regurgitating what students have learned – it can be a thoughtful condensation of what they see as the key aspects of a course or part of a course and a multimodal expression of how to get others to engage with the ideas.

Of course as the whole of teaching becomes more digitally literate this sort of work will be introduced in primary schools and the academy will colonise and corral it. However, at this moment and at this time – this has not yet happened. So this is an exciting time to be introducing this new form of assessment (and I am loving it).

#aldcon: A creative approach to producing empowered students
With colleagues Tom Burns and Chris O’Reilly, we brought this to the Association of Learning Development Conference, Plymouth, March 2013. In our presentation we explored our take on a creative approach to teaching, learning and assessment. This included a creative way for academic staff and learning technologists to work together in ways that allowed everybody to bring their whole person and all their expertise to the table – rather than, say, for the academics to assume all the pedagogic and curriculum expertise and to ‘use’ the ‘technologist’ to ‘only’ contribute the ‘e’ bit of the equation.

In our case, Tom Burns and I as Education and Learning Developers worked with Chris O’Reilly as the Information and Systems Services person as a Team. As resources get more and more constrained, it has never been more necessary to stress the real value of all the people in a University who contribute to the students’ learning experiences and to the richness of their learning journeys. We wanted people to see the complex nature of the work that we had undertaken together – and how this had happened over time – and that it worked both within and outwith the curriculum.


Picture 1: The Team: Sandra, Chris and Tom.

Over the last two years we have worked together to build resources, to shape new modules and to develop interactive workshops to support staff and students.

Specifically, we have:

* Built our ‘metaphor maker’, the AniMet Challenge – as an OER online resource designed to support students in the research and development of learning strategies and resources:


Picture 2: ‘Blind drawing’ of the AniMet Challenge website. NB: We use blind drawing to show that *everyone* really can draw something!

* Built and extended our Study Hub – our student-facing website that has resources and activities designed to stimulate student thinking about studying – and that this year we have started populating with student voices about approaches to study:
Picture 3: The Study Hub


* Produced our ‘New to Uni’ video to showcase student experiences of those first few weeks – and to link to the Study Hub. Scroll down to see video:


* Produced a 30-week, 30-credit first year module, Becoming an Educationalist’, that actively teaches creative and emancipatory practice, that uses this to seed real student research in to study strategies – and that supports students in the building of digital artefacts informed by their own research.


Picture 4: Becoming an Educationalist (blind drawing of my nephew – shh – don’t tell him – he looks nothing like this – but he is a student on that programme).


* Produced a complementary 15-week, 15-credit second year module: Peer Mentoring in Practice – whose students mentored the first year ‘Becoming’ students – and who received a shadow creative curriculum alongside their mentoring training such that they could reinforce creative practices if they chose with the first year students.


Picture 5: Peer Mentoring in Practice

* Encouraged those first and second year students to be videoed for the Study Hub – so that their voices were heard in the University and that they did start to feel that they were in partnership with us in this meaningful project. Check out ‘Studying at University: http://learning.londonmet.ac.uk/epacks/studyhub/studying.html

* Developed Digital Artefacts workshops showcasing the ‘Creativity’ animation that Chris made and #edcmooc artefacts to reveal to students many different ways of producing their own artefacts.  Specifically, Chris made this:
http://www.youtube.com/watch?v=phn9I40fWxg&feature=youtu.be

And recommends this:

And now we’ve done these:

* The Artefacts workshops as well as building on Chris’ excellent work - are all supported by active reflection on – and using – the digital artefacts produced on the #edcmooc – and I really cannot think of a better way of preparing myself to support his new phase in my own teaching development. As I said in the blog post below (which also links to some really useful online resources with which to make digital artefacts):

The Conference Workshop
At the conference we discussed how we worked together – and what we think that we have achieved and why we did what we did… We pre-saged the final the activity by asking people at the beginning to make creative, visual, dialogic and heteroglossic notes upon the following:
What is creativity in teaching, learning and assessment?
What are the benefits of …
What are the potential risks…
What next?


Picture 6: #aldcon: workshop participants drawing their reflections.

For the activity, we asked people in their groups to use their visual notes and collectively draw their answers to any or all of the questions. We then filmed participants drawing their thoughts on the whiteboard – and recorded the participant’s commentary.


Picture 7: Drawing on the board – Chris filming – the story begins.

The film itself will be speeded up – and the voiceover put upon the final version. As I write this, Chris is still editing the films – and very soon we should be able to add them in the Comments below.

By jove – we’ve got it!
Hopefully everybody can see just how do-able is the making of a digital artefact. I hope it also demonstrates how at this moment if at no other, just how engaging and creative this process can be.


Picture 7: Connecting the pictures – telling a story


Picture 8: It all gets very dialogic and heteroglossic


Picture 9: Plusses and minuses of creative approaches


Here’s some #edcmooc stuff reprised 
Here is my artefact:
And a short one Andy made in GoAnimate of some of my text:
http://www.youtube.com/watch?v=dfx1_fVZbyI

And here are some cool examples from my classmates:
With apologies to all the other brilliant ones out there that I have not seen – or that I did see and forgot to copy and paste here…
Two-minute video: Log In: http://www.youtube.com/watch?v=-akQl-e1Awk
Angela’s Thinglink:
Fran Monaghan’s VoiceThread:
And June B’s blog plus vimeo artefact: http://www.jubo.co.uk/blog/2013/02/edcmooc-digital-artefact/  
And Ess Garland’s timeline: 
Theo Kuechel’s PinBoard:
The University Bog’s post and artefact:
Cathleen Nardi’s, Change your thoughts:
Amy’s Digital Life artefacts:

And finally…
If you have been engaged or intrigued or interested by any of these topics – please leave a comment with your contact details – or email us at London Met – and we are more than happy to discuss our work and share our resources with you – and even more delighted if you wish to discuss your approach and share your resources with us.

And do check out #aldcon for posts on the Conference – and the ALDinHE website – for the Conference resource will be available from there very soon.