Showing posts with label blogs. Show all posts
Showing posts with label blogs. Show all posts

Wednesday, 23 April 2014

ALDinHE Conference 2014: Learning Development spaces and places

Spaces and Places
This year’s ALDinHE Conference took place in – and was facilitated by Huddersfield University: http://www.aldinhe.ac.uk/news/6/aldinhe_conference_2014:_registration_closed.html?p=7_6
There was a full programme of workshops, events and fabulous Key Note speakers, including Lesley Gourlay and Etienne Wenger-Trayner – on the topics of:
  • Who owns Learning Development?
  • Changing Staff and Student Identities: the impact of Learning Development
  • Addressing the Marginalisation of Learning Development
  • Working Collaboratively to support Learning Development.

Communities of Practice?
Like many people in Education I have been aware of Etienne Wenger-Trayner (EWT) and his Communities of Practice arguments in theory and for many years. EWT in practice and in person was a revelation: warm, inspiring and profound in his outlining of the learning trajectory which takes us from peripheral encounters into the centre of various communities of practice – and various learning identities.

EWT locates his theory in studies of apprenticeship practice. Apprentices especially at the beginning rarely interact directly with a ‘master’ but engage more in apprentice-to-apprentice interactions. In this way learning is ineffably located in the group and in our group interactions: learning is social, embodied and whole person.

For EWT, learning experience models this apprenticeship trajectory. He described ‘learning’ as circled by complementary processes involving community (which offers belonging and a meaningful cadre with which to negotiate and define competence); practice (what we do – and how meaningful and valuable it is); meaning (that is rooted with relevance in the now – and not deferred to some indefinable point in the future); and identity (who we are becoming). In this model learning is not the transmission of a corpus of knowledge nor even a process or set of processes with which to engage with a corpus of knowledge; learning is how we negotiate a range of processes of becoming – that oscillate between the individual and the group.

Becoming
The EWT model allows us to see learning as becoming: it involves a realignment of competence and experience; it is socially defined – but personally experienced. Learning involves negotiating identity in a complex dance in complex landscapes of practice that navigate multiple tensions and meaning.  It is identity-construction in a time of super-complexity: it is a learning relationship between the social world and the personal.

The community is the curriculum
As one who is still part of the ongoing MOOC: #rhizo14: the community is the curriculum, I could not help but see parallels between the EWT model and the rhizomatic model of learning espoused by Dave Cormier – and as poetically described by Deleuze and Guattari (1997, 2005) in A thousand plateaus. Cormier - who spoke at last year’s ALDinHE in Plymouth - gave birth to our radical un-MOOC. In #rhizo14, learning is/emerges from the connections, contingent or purposeful, between the participants in the different learning spaces we inhabit – Forum, FaceBook, Google+, Twitter, Blogs, Zeega… - and which are fruitfully complicated by the diversity and complexity and internationality of the participants. It is a tricky trickster idea – but actually very helpful when we take back to our classrooms whether F2F or virtual: for to enable learning to happen we must at the very least foster human relationships between the participants.

‘I Robot’? Voices from the margins: narratives of LD in a Digital Age
Following on from EWT, and after Julia Dawson and Peter Bray speaking on ‘Peer Support reaching out beyond the institution’, from Plymouth, it was our presentation where we asked: What are the stories that students and staff tell themselves and each other about studying at University?

‘We have developed creative blended learning practice and embedded this within our Becoming an Educationalist and its paired Peer Mentoring in Practice modules. We and our students write reflective learning logs and online blogs to engage with our materials - to write to learn - and to struggle with narratives of the self in times of transition… We wish to share narrative extracts from these places of struggle, voice and play (Winnicott 1971) and discuss the lessons that we can learn about our students and our own blended practice. We also want to explore how we can celebrate and sustain such creative practices.’

How cool is that?
We were very happy to follow on from Wenger and his arguments about learning as a process of becoming – and to talk about our Becoming module and its various practices which we think facilitate these processes: Role playing and simulations; creative and visual learning strategies; Inquiry Based and Problem Based Learning; Reflective learning; Visual practices development; Poetry and Prose analysis and discussion; Analysis of Case Studies; Real research and other projects; Digital artefact and resource development; Peer-to-peer learning: both face-to-face and virtual; Student contribution to the University’s annual student-facing Get Ahead conference; Blogging and other Social Network activities to support learning (Becoming Educational blog: http://becomingeducational.wordpress.com/ and
Learning Development Blog: http://lastrefugelmu.blogspot.co.uk/).

Spaces and places/fissures and cracks
Our students swim in educational currents composed of the over-riding narratives of assessment, SATs, League Tables, OFSTED, moral panics about plagiarism – and the ‘dumbing down’ of education – for which they are personally blamed: There are Mickey Mouse students for whom Mickey Mouse degrees are quite appropriate (Starkey 2002/3). They are caught on a cultural cusp (Medhurst in Munt) negotiating tricky academic space which is more of a trickster space for them – for just how far are they supposed to lose themselves and become another in this alien landscape; and who gets to choose the transformation – and where do the boundaries lie?

Why writing? The essay – The blog
Arguably the academic essay as a genre exemplifies academic writing per se: it is non-polemical - yet invites certainty of argumentation. It is ‘your’ argument whilst excluding ‘you’: the personal, the emphatic, the confused, the flippant and the humorous. In many ways it can be seen as a metonym for the academic world our students have entered: implacable, reified, classed. It is the space where they most feel like ‘a fish out of water’.

We want our students to succeed in academic writing for it is the sine qua non (http://en.wikipedia.org/wiki/Sine_qua_non) of the University experience. But we wanted writing that was not the ultimate erasure of the self. We wanted a space where students could have something to say, could have their struggle to achieve authorship; but without the ‘jostling voices’ (Carter et al. 2009) asking them to ‘write and reference properly’ and to ‘be more academic’ – and less like the passionate, engaged and committed whole people that they are. We suggested blogging and wanted their blogs to be a powerful virtual tool – a quasi-academic, multimodal, public space in which to perform the self as it becomes academic – and to perform that more wholly than in an academic essay.

A little bit of Deleuze will do ya
Blogs especially can constitute the cracks – the boundaries – the borders - the space for disruption, irruptions and eruptions: the place of collision and encounter. Those representations become where space and time collapse – compressed – intensified – because finite – become finite – existing in a fixed place and time. Their composition emerges from a compressed space, time and setting: meaning and communication become one narrative. And as Deleuze might argue this offers an opportunity not to re-trace the compilation of the sign – but a moment – just before it becomes fixed – when all the potential and possibilities still exist. A moment of and for transformation – for recognition of the self… A crack in space and time to re-territorialise educational spaces – to become educational nomads.

And our student voices said:
‘Week 9 was all about my nightmare….drawing!
My drawings always mock me:
“Ha! I have defeated you! You may have many words, but give you a pencil, and watch the intelligence disappear! That’s not how you wanted it to look, is it? Is that a person or a tree? Dumbo!’’
In a class of five year old children, I am quite happy to display my ridiculous sketches. I explain to the children that drawing is not my strong point, and they assure me that I have done a very good job of representing the characters, props and scenery in the storyboard. However, if someone were to come in, they would be quite convinced that the children had drawn the pictures – and not the most artistically gifted children, either!
At the moment, I feel afraid of failure, but I have to remember that I have been here before. In 2011, I graduated with merit at the Barbican, from a Foundation Degree in Education: Primary Pathway. So I need to keep three things in mind:
Keep taking risks!
It will be worth all the hard work!
There are people to help me on my journey!’
                     
‘In this week’s lecture, we were subjected to a 10 minute free writing exercise. If we stopped writing, then we were to write the reason why we did so on a separate piece of paper. Seemed easy enough, but the question given was very ambiguous to us: Winnicott (1971) argued that play is necessary to           counteract the implicit threat of transitional...
“What?” I asked myself. “Who is Winnicott? What does he mean by play? Implicit threat?” I started writing, even though I had no idea what the question was asking. It took three attempts to get my writing flowing.’

‘Today has been so proactive that I hardly had the time to take down any academic notes and just kept on listening. There was a guest speaker today, Chris O’Reilly, who spoke to us about the presentation and making of a short 3 minute film and what kind of research and methods go into making and preparing for it. I was so intrigued and fascinated throughout the whole piece that it just had given me so many ideas. I was bursting to how these ideas could relate to my research project Report.’ 

Nomads all!

Talking of re-territorialising: do we want a Learning Development MOOC?
And so to Andrew Doig, Becka Colley, Carol Elston, David Mathew, Sandra Sinfield and our workshop on the nuts and bolts and why and ‘what fors’ of a Learning Development MOOC. The session had a great energy and buzz - and we are hopeful that a positive working group will emerge from those present – and from others in the LDHEN if they want to join in.

cMOOC, xMOOC, SPOOC – OOD??
There seemed to be two main approaches to our potential open online course emerging:
* Set the context: Where a group of us gather together to design and devise a course with quite formal and defined Aims and Outcomes. Different elements of the course might be 'owned', developed and delivered online by different people.

* What might be called the 'bring your own context' approach: a group gathers together and sets up a course that may or may not have formal aims and learning outcomes - but that can be experienced differently by participants depending on their own contexts, wants and needs. In this model, some participants may want to explore the philosophy, pedagogy and epistemology surrounding elements of the course - whilst others may just want a 'pick up and teach’ set of strategies...  Different elements might be delivered online by different people, with participants bringing as much to the table as the person 'running' the course that week/fortnight/month. I think that this community can manage that! 

To me this latter more of a #rhizo14: the community is the curriculum approach; and in actual fact, I do not think that these two approaches are incompatible if framed in a participative way.

Watch the www.jiscmail.ac.uk/ldhen list for developments - and if people are interested in taking part – could they email Andrew Doig: Andrew.Doig@solent.ac.uk ?


End Notes: There was more, so much more to ALDinHE – but I reckon that this is enough for a blogpost. So if anybody else has blogged – can you put the link in the Comments below – and perhaps we can have a conversation of sorts to keep the LD flag flying?

Thursday, 20 February 2014

#rhizo14: W5: Community as Curriculum: Poetry as a Mode of Inquiry?

Rarely have I been so time poor – sad that it coincides with my engagement with the brilliant #rhizo14 led by Dave Cormier. This one might be a MOOCers MOOC: there is no set reading – scant introductory remarks – no trail of video tutorials or lectures… just trickster questions designed to get us thinking – posting – commenting – blogging – FBing – Google+ing… and lo – the community IS the curriculum. It is emergent – it emerges – it is what we want it to be! This post is a little reflection - and an invitation - let us write some poetry as a collaborative means of researching #rhizo14?




Declare
My project – if you can call it that – for #rhizo14 has been to bring as much of this busy fizzy messy stuff as possible into my first year #becomingeducational module and see what it sparks in first year students who in the end want to become educationalists.
In the process I have shared DogTrax ‘Steal this Poem’ (http://dogtrax.edublogs.org/2014/01/16/rhizo14-steal-this-poem/) and with him used the concept of cheating as a tool to analyse the power structures of education. I have re-blogged several #rhizo14 blogposts directly to the handful of students who actually follow the class blog. I don’t know if the excitement sizzles through – but I hope so!
Research: Collaborative writing as inquiry
Some of us in the rhizome are exploring the idea of collaborative writing as a form of inquiry about #rhizo14. We are thinking about exploring (as radical un-content) the blogs that have emerged – the words that have touched us, weaving a paper in, around and through our own responses to the ones we choose – and our responses to the writing of our fellow flaneurs.
In this, I have been very influenced by Ken Gale – who has himself studied Deleuze through collaborative writing…  (see Ken Gale http://www.aldinhe.ac.uk/ojs/index.php?journal=jldhe&page=article&op=view&path%5B%5D=222 )
Poetry and Inquiry?
Given the power of the rhizome – and the huge creativity in this ‘wonder’ (my collective term for us all – rejecting community – network – group); do #rhizo14ers want to generate poems (in the broadest and most multimodal sense) of our experiences – either as our own collective mode of inquiry for capturing (dead word!) our collective learning – that could be posted on a #rhizo14 website for just that purpose???
OR - for the LinkedIn Group: Higher Education Teaching and Learning and their Call for poems and creative works. Confession – I haven’t performed a rigorous back check on all this – but it serendipitously appeared in my email in-box from a friend who knows I like this sort of this. I am sharing it with a community that I know also loves this sort of thing…

Anyway – here’s their invitation - Submission Deadline: June 20, 2014:
Teaching as a Human Experience: An Anthology of Contemporary Poems
An edited anthology volume by Dr. Karen Head (Assistant Professor in Georgia Tech’s School of Literature, Media, and Communication), and Patrick Blessinger (Founder and Executive Director, Higher Education Teaching and Learning Association)

Volume one of the anthology series, Contemporary Teaching and Learning Poetry Series, Patrick Blessinger, series editor.

Submissions should be submitted electronically to:


https://www.hetl.org/poem-submission-form/ 

Volume One Overview

The poems in this collection will deal with the real life-worlds of professors, instructors, and others working in education and it will cover contemporary teaching experiences in education. The poems will be written mainly by college and university professors, instructors, lecturers, and others in the field of education, and will cover the many roles teachers play, including instructing, lecturing, mentoring, facilitating, coaching, guiding, and leading. This volume will cover the manifold life experiences and perspectives of being and working as a teacher in education and the epiphanies (experiences of deep realization) experienced in that role.

This volume seeks to give creative voice to the full range of experiences by teachers, students, and others. It seeks to empower readers with personal agency as they evolve as self-creating, self-determining authors of their own lives, personally and professionally. In short, it seeks to expand our consciousness of what it means to be a teacher in contemporary life and within diverse learning environments and cultures. The poems will be based on teachers’ meaningful experiences in and out of the classroom and will provide artistic inspiration and creative insight to other teachers who work as teachers.

Submission Requirements

You may submit up to two poems or creative works per person. Any poetic form is accepted, but each poem should be limited to 300 words, unless the poem of longer length is exceptional in quality and highly unique in insight or style and appropriate to the poetic form used. Thus, poems and creative works expressed in a pure economy of words and that are able to distill the human experience down to its bare essence are highly valued as are creative use of voice, passion, imagery and the interplay of intellect and emotions.

The poem “Lecture” by Tami Haaland and the poem “Student” by Ted Kooser are a few examples of the type of work this volume seeks.

Submissions

We invite submissions of high quality poems and creative works for Volume One entitled, Teaching as a Human Experience: An Anthology of Contemporary Poems. We are interested in poems by teachers (e.g., professors, instructors, lecturers, faculty) as well as other practitioners in the field of teaching and learning.

Submission Deadline: June 20, 2014

Submissions should be submitted electronically to:

https://www.hetl.org/poem-submission-form/ 

Friday, 24 January 2014

#rhizo14 – week 2: Seeding independent learning: wrestling with writing

Lots of wrestling in FB this week with what could be argued to be an essential ‘issue’ with MOOCs – they are open – free – out there… surely this is thus egalitarian learning at its very best? But no – some are still silenced – some are still feeling the pain of not being good enough – that ‘fish out of water’ feeling that is the experience of so many non-traditional students in the traditional classroom.
We have some strategies that work here to overcome this: say hello – be welcoming – comment – reply – extend a welcoming hand to other students. In doing this we ARE the community, all of us, everyone who does this friendly human thing in this strange and potentially impersonal world.
I blogged about this before – how doing the MOOCs really reinforced the need to bring the human back into the physical classroom. To make time for students to get to know each other – to bond – to feel that it is okay to speak – to listen to and be with their fellow students.

This year we found that role plays and simulations in the trad ‘lecture’ time really helped this to happen. We had a Post-apocalypse scenario running over several weeks:
Who would you keep in your bunker and why?
What education system would you build – immediately on leaving the bunker; five years later; ten years on…
What cultural activities would you save and why – and how would you build a sense of self-efficacy in future students?
The students were puzzled at this strange ‘lecture’ programme at first – but leapt into the discussions and found their voices – and found that they could speak to and with their fellow class mates. I think they formed a ‘cohort identity’ (BLAH) – and the classes definitely FEEL different.
We are also using creative techniques: drawing, collage, poetry… to help us all to think differently – to find our voices in different ways and in different media… And we are asking the students to blog about their learning hoping that this semi-academic space which is open for their colonizing develops their voices in powerful ways.
At the same time, they are going to have to wrestle with the slow, painful and iterative process that is academic writing.
How can we encourage and support our students in this struggle? How do we keep the flow going – and hopefully the joy – when this mountain does have to be climbed?
It’s really hard because writing is hard and the fear of failure is so PRESENT. That fear of making a fool of yourself – of not getting it right – of making your own ignorance visible to the world – of being judged. (Yes folks – let’s check out our FB page – we fear it too – you know!)
Especially when this fear is manifest in a vision and practice of writing that seems to tell students that they must get it right first go. That writing is the pouring out of perfectly formed, pre-digested learning - rather than the stuff and process of learning – and anything else is just pure visible, recorded proof of personal inadequacy and failure.
Below is what I have just sent to a student who has already written her Project – all of it: the proposal part is not due in till W19 (this is W15) and the final report part of it is not due in till W30. She is engaged. She is a motivated student. She has started early. It’s a great first draft – yet I fear that any feedback that suggests that it needs revision will wound.
So this is what I wrote:
I can see that you are going to be a tortured perfectionist! Apart from the pain (!!!) - this will make sure that you do get a wonderful degree. But you are going to have to give yourself permission to write stuff which will not be perfect first go (and nor should it be!) - and then go over it a few times to knock it into shape.
So, yes, there are some bits of the writing that need a little 'smoothing' - some bits are better than others - but there is a project sitting there - waiting to be 'emerged' through a revision process.
This is one reason we *try* to get students to write early (but most of them never do!). When you first write something it is great and so are you! After a little while, because your brain has continued to wrestle with your ideas, you go back over your piece, you see that it is not perfect - and you start to tidy it up. 
You change a bit here and there... you realise that those two longish sentences can be cut down into one short sentence that actually makes your point in an even better way... 
This is the struggle to write - and it is what we all should do to get our ideas across. It is a brilliant, slow and sometimes painful process - but it is the writing process. 
We have to give ourselves permission to write something - and then to change it. So - give yourself a couple of days - then go through your writing again yourself. Try to be shorter (we always need to be shorter!) - make sure you are saying exactly what you mean - change it a bit... Remember to *Save As* the versions: v1, v2, v3 and so on (we often go through 17 or more versions to get to something we are happy with). It is great to keep all the versions - especially as sometimes we delete whole sections of our writing - and then think that it was really important and needs to be in the piece after all...
We need to learn that this IS proper academic writing: this PROCESS is... (and also - it will give you data for future auto-ethnographic studies!). Most people think writing should be 'right first go' - or that if they have to change something - then they are a 'bad person' or a 'poor student' - but no - this is the necessary process of writing. 
Think of it as having a structured academic conversation with yourself.
This is the hardest thing for us tutors to get students to do. It is also hard to get other academics to realise that THIS is what we need to help students to do. It's not about shouting about spelling, punctuation and grammar - important as they are - but making time and space for this slow and thoughtful process to happen - especially when our students do not want to do this. It all feels too slow and painful.
Anyway - once you have improved it a bit yourself - print all of that off - and bring it to the class on Wednesday. We can give you feedback and hopefully help you to the next step!
But these are just words!
When I was a first year student we had no high stakes assessment that I can remember. All the first year stuff was designed to get us to think – to engage – to learn… It was brilliant – it was a bit like… a MOOC!!
Since I went through HE, ‘they’ broke it a bit more – made it harder – more formal – with more opportunities to fail – and then they let a few more non-traditional students in – and started to blame them for their failure or their fears – or their ‘fragility’ – instead of trying to fix the problem of education…
And now I don’t know how to get these bullied students to embrace this horrible and beautiful struggle with writing….

I am enjoying #rhizo14 so much – and as the community is the curriculum – this is the issue I thought I’d pop out there this week. I do hope for some Comments here folks. I need your thoughts!